About Sarah.

A woman, Sarah Brooke, with long gray hair and earrings standing outdoors in a natural setting. Warm facial expression, with sunlight and trees in the background.

I am an Accredited Mental Health Social Worker with further professional training in Hakomi: Mindfulness-Based Somatic Psychotherapy and Sensorimotor Art Therapy.

I combine a depth of clinical experience with a soulful orientation; taking a particular interest in listening to body-wisdom and supporting people to connect with their natural healing impulse.

You’ll notice from the website that I just love the natural world and being outdoors. Over my years of clinical practice I have increasingly recognised that our relationship to the natural world is vital in supporting physical and mental health, and so am passionate about finding ways to include nature in therapy.

Creative art is another area of interest. I’m not a particularly skillful artists, but I just find that therapy becomes more powerful when we introduce even a small amount of art-making. Drawing as we talk, using figurines or clay to represent different parts of ourself.

Below you’ll see that I am always learning. I love finding ways to support people to find their most authentic and expansive self.

Combining somatic psychotherapy, creative expression and nature-based practice, with a background of clinical training and experience

Vocational history.

I have worked in community-based and therapeutic services for over 20 years and as a social worker for 15. Here is a brief summary of my career to-date, which gives an idea of my values, experience, and journey to this stage of my vocation.

Professional training.

I maintain First Aid, WWCC and Police Check requirements

A personal journey of connection

To get a little sense of who you’d be sitting with


A woven basket containing several pine cones and small gumnuts and seedpods.

Seedpods of childhood

As a child we spent a lot of time outdoors, appreciating the beauty in natural spaces. I was encouraged to be curious about everything. An avid tree-climber, feeling trees spoke to me through my feet, telling me which path to take through their branches. The Murray River mouth is a particularly evocative place for me. Some writings on these seedpods and basket.

A woman (Sarah) standing in a barren desert landscape with a bicycle and loaded gear, smiling at the camera under a partly cloudy sky.

Travelling close to the earth

My 20s were filled with bike tours and camping; always on the move. I loved the intimacy of bike-riding, never far from the passing fragrances and weather. This rather eager photo was taken in Morocco. Deserts have a particular pull; their vastness and star-filled skies.

A s lying on the ground in a dry, open landscape with sparse vegetation. Nearby, there is a a yellow torch and some discarded items. There is also a small fire pit with ashes and charred wood.

Wild and majestic NT

I have been drawn back to the NT time and time again. Bike riding through the West Macdonald Ranges; completing my first Social Work placement at the Alice Springs hospital; later completing my Social Work Masters and early career in Darwin. I learned basket weaving and how to 4WD. Life was filled with tropical waterfalls, crocodile-filled rivers, wild flowers and sleeping in a swag under the stars.

Person crossed legged on the floor with clay, wooden box, a bowl of water and a sponge.

The internal landscape

From 2017-2024 I undertook several multi-year, intensive psychotherapy trainings. Connection and journeying shifted from the external landscape to the deep within. Each training took a focus on learning through direct experience - Everything I offer is something I have thrown myself into first. Recent training has shifted towards animist traditions, and our connection with the more-than-human world.

Mixed media wall art composed of a large piece of driftwood, dried leaves, and various dried plants arranged on a white wall.

A sense of place

In 2023 I moved to Nillumbik, where I have settled into having a greater sense of place (the next adventure). Materials for this weaving/assemblage (photo) were collected in and around my beloved garden. Some writings on weaving and conversations with natural materials here. As this local landscape holds me, I am curious to keep exploring how I can offer care in return.

Cliffs at sunset with a view of the horizon and the sun setting over a flat landscape.

At home here, and there

Home is both a place to settle-in to, and securely jump-off from. After 10 years of relative consistency in Melbourne, I feel the call of the desert again. Above is a scene from Mungo National Park. Stunning. I am excited to weave between in-person sessions celebrating the beauty of Nillumbik; and online sessions from the road.